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FOPPA, Vincenzo St Stephen the Martyr dfg oil painting


St Stephen the Martyr dfg
Painting ID::  6685
FOPPA, Vincenzo
St Stephen the Martyr dfg
Tempera on wood, 89 x 34 cm The Hermitage, St. Petersburg

   
   
     

FOPPA, Vincenzo St Michael Archangel (detail) sdf oil painting


St Michael Archangel (detail) sdf
Painting ID::  6686
FOPPA, Vincenzo
St Michael Archangel (detail) sdf
Tempera on wood, 89 x 34 cm (full panel) The Hermitage, St. Petersburg

   
   
     

FOPPA, Vincenzo The Adoration of the Kings dfg oil painting


The Adoration of the Kings dfg
Painting ID::  6687
FOPPA, Vincenzo
The Adoration of the Kings dfg
1500-10 Panel, 239 x 200 cm National Gallery, London

   
   
     

FOPPA, Vincenzo Bottigella Altarpiece dh oil painting


Bottigella Altarpiece dh
Painting ID::  6688
FOPPA, Vincenzo
Bottigella Altarpiece dh
1480-84 Wood panel Musei Civici, Pavia

   
   
     

FOPPA, Vincenzo Madonna and Child with St John the Baptist and St John the Evangelist dfhj oil painting


Madonna and Child with St John the Baptist and St John the Evangelist dfhj
Painting ID::  6689
FOPPA, Vincenzo
Madonna and Child with St John the Baptist and St John the Evangelist dfhj
1485 Fresco transferred to canvas, 170 x 190 cm Pinacoteca di Brera, Milan

   
   
     

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     FOPPA, Vincenzo
     Italian Early Renaissance Painter, ca.1430-1515 was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.

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